Showing posts with label Lacque (Eugene). Show all posts
Showing posts with label Lacque (Eugene). Show all posts

Thursday, 13 June 2019

France 1979 - Tourism Series (Part 3)

An absurd undertaking can be viewed as 'tilting at a windmill', but for practical purposes, windmills have been an efficient way of generating power since they first appeared in Persia in the 9th Century. Windmills have been used to pump water, mill grain, or as we shall soon see, to pump oil.

Somain is a commune in the Nord department in northern France. It is primarily known for its extensive mining industry. Its first mine, called the Renaissance mine, opened in 1839. Somain was also the home to a large windmill that was built in 1744. In 1901, the windmill was moved to its present location in Steenvoorde, a short distance south of Dunkirk. The mill was later restored (I've been unable to find a restoration date), and it is being used as an oil mill. 

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On 9 July, 1979, France issued a set of seven stamps in their ongoing Tourism series. To read the previous two parts, simply click on the relevant link. Part 1. Part 2 In this blog I'll take a close look at the 1,20 stamp, which depicts the Steenvorde windmill.. This stamp was designed and engraved by Eugène Lacaque. 



Based on photos I've seen of the restored windmill, it seems to me that this design features a fairly rundown windmill, crying out for assistance. It is clearly evident the the sails (or blades) are in a pretty sad state of disrepair. However, there is the chance that this is simply how Lacaque chose to engrave the sails. I lean toward the former.

Until next time...


Wednesday, 24 May 2017

Mali 1978 - The Head of Christ

I have just been browsing the net, looking for some stamp bargains, when I came across a stamp that caught my eye. The stamp was issued in Mali in 1978. In fact, this stamp was awarded the Grand Prix of Philatelic Art of the African Nations and Madagascar.


This stamp was engraved by Eugune Lacaque. Lacaque actually began his career as an engraver for the textile industry, eventually opening his own business. Lacaqaue came to the attention of the French Postal Authorities in 1967 when they asked him if he'd be inerested in doing some stamp engraving. He agreed. And the engraved stamp world has greatly benefited from that decision. Between 1967 and 1997 he engraved some 600 stamps for France, her Colonies, and a few other countries. I look forward to studying more of Lacaque's stamps.

In the above stamp, which features the head of Christ (Tête du Christ), the detail is simply sublime. The passion, anguish, pain and sorrow of Christ have been masterfully woven into the expression. Just look at the furrowed brow and the tortuously gnarled crown of thorns. I find it difficult to look away from the eyes! Ç'est une magnifique timbre !

I'd like to thank Adrian over at Stamp Engravers for the use of the image.

Until next time...

Saturday, 11 June 2016

France 1974 - The Pfister house in Colmar

In 1974, the 47th Congress of the Federation of French philatelic societies was held in Colmar, the third-largest commune of the Alsace region in north-eastern France. The city is home to some amazing architecture, an example of which will be seen in a moment. The city is also on the Alsatian Wine Route, and it is considered to be the "capital of Alsatian wine".

To celebrate the Congress of the Federation of French philatelic societies, France issued a truly stunning stamp on 3 June 1974. First Day Covers were produced with a 1 June date. The stamp was designed and engraved by Eugene Lacque. And what an incredible result he achieved! 


The stamp depicts Pfister house. The detail in this stamp is exquisite. The architectural details are clear and crisp, and the addition of people meandering on the street adds a sense of life to the overall composition.

Pfister house was built in 1537 for Ludwig Scherer. Scherer was a successful money trader, in it was in this capacity that he managed to become very wealthy. Wealthy enough to have commissioned such a beautiful house.


The house is a lovely example of renaissance architecture, drawing upon medieval styles. The foremost corner of the building that can be seen in the above image is known as a corner oriel. The building also features an octagonal turret to the left on the image, and a beautiful wooden gallery (verandah). The name, Pfiser house, comes from the family who lived in the building from 1841 to 1892 and in that time, they lovingly restored it to what we see today.

Until next time...