Showing posts with label Cottet (Rene). Show all posts
Showing posts with label Cottet (Rene). Show all posts

Thursday, 14 September 2017

1937 International Exposition in Paris

Let the festivities commence! From motorboat races on the Seine to the Grape Harvest Festival, and from World Championship Boxing Matches to Shakespeare in the park. The 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) had it all. The Expo was held from 25 May to 25 November 1937 in Paris, France. Countries from around the globe converged on the "city of lights" to flex their muscles of national pride. Participating countries were invited to build their own pavilions. Some pavilions were rather modest. While others such as the Soviet and Nazi pavilions opted more for the ostentatious and colossal. And can I say, downright ugly? You be the judge...


Speaking of colossal, these pavilions were tiny compared to the dreams of designer Eugène Freyssinet. He envisioned a centerpiece for the fair that went beyond epic and launched itself more into the realms of the ludicrous. A building that would dwarf the Eiffel Tower, which was custom-built for the 1889 World Expo. He designed a tower 701 metres (2,300 feet) tall! He called this monstrosity Phare du Monde (Lighthouse of the World). A lighthouse! Just what Paris, some 160 odd km from the sea, desperately needs! But that's not all. At the very top of this monumental skyscraper would be found a hotel, a restaurant, a massive sunroom, and a giant multi-story garage for approximately 400 cars. By the way, that last bit isn't a typo! So how the heck does one get 400 cars up some 700 metres? Why on a road of course! A road that winds itself around the outside of the tower. Because driving up a narrow winding street into the clouds would never lead to disaster, right? Thankfully, sanity prevailed and this scheme was deemed far too expensive to even contemplate. Below is an image that illustrates the scale of the Phare du Monde.


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This World Expo was also a big deal in the world of philately. A group of France's best artistic minds were assembled to create a six stamp set that would be issued in twenty-four French colonies. This was the second omnibus series printed in France, the first being in 1931 for the International Colonial Exposition. Engravers such as Rene Cottet, Emile Feltesse, Pierre Munier, Antonin Delzers, and of course Albert Decaris contributed to the set. In fact, Albert Decaris both designed and engraved two stamps in this set. Below is a list of all colonies in which this set was issued.
  • Cameroun
  • Dahomey
  • French Equatorial Africa
  • French Guiana
  • French Guinea
  • French India
  • French Polynesia
  • French Sudan
  • Guadeloupe
  • Indo-China
  • Inini
  • Ivory Coast
  • Kwangchowan
  • Madagascar
  • Martinque
  • Mauritania
  • New Caledonia
  • Niger
  • Reunion
  • St. Pierre & Miquelon
  • Senegal
  • Somali Coast
  • Togo
  • Wallis & Futuna Islands
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To show examples of all stamps from all colonies would take up far too much room. Over time I will add images of the stamps from all the colonies, which will be found under the 'Omnibus Issues' tab found at the top of my blog page. For the purposes of this blog let's take a look the French Guiana issue. Enjoy!

The 20c stamp was engraved by Rene Cottet.


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The 30c stamp was engraved by Emile Feltesse.


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The 40c stamp was engraved by Pierre Munier.


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The 50c stamp was designed and engraved by Albert Decaris (for more Albert Decaris work click HERE).


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The 90c stamp was engraved by Antonin Delzers.


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The 1f 50 stamp was designed and engraved by Albert Decaris.


Until next time...




Tuesday, 7 June 2016

France 1953 - French Theatre

Over the course of five months in 1953, France issued a stunning set of stamps celebrating French Literature and Theatre. The set is also a celebration of three highly talented French engravers. In this set we not only see the beauty of each engraver's subject, but the different interpretations of the art of engraving.

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The fantastic creative adventure began on the 27 May with the giant, Gargantua. The stamp was designed and engraved by Henry Cheffer. 



Written in the 16th century by the talented author, François Rabelais, The Life of Gargantua and of Pantagruel, was a set of five novels, chronicling the adventures of two giants, Gargantua and his son Pantagruel. Those of you who are readers of my Decaris Crazy blog may recall that I did a post studying France's 1950 François Rabelais stamp, designed and engraved by Albert Decaris. If you  have not already read it or would like to take another look, click HERE 

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On 8 June the second stamp in the series was issued. The focus of this stamp is the play Hermani by Victor Hugo. The stamp was designed and engraved by Robert Cami.


Hermani is a drama set in a fictitious version of the Spanish court of 1519. Romance and intrigue abound in this classic love triangle story.  Three men, all in love with the same woman, vie for her attentions. One can easily imagine the chaos that ensued. On the 25 February 1830, the play opened in Paris. The play is probably now best remembered for the fights and demonstrations that erupted on the night of its première. On  a positive note, the play inspired Verdi to create his opera, Ernani.

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Issued on 21 September was a stunning stamp focusing on Moliere's The Misanthrope. The stamp was engraved by René Cottet. It was designed by Robert Cami. This collaboration resulted in a visually sumptuous stamp. Just look at the detail in the costume!


The Misanthrope or Cantankerous Lover was written in the 17th Century by Molière. The play was a comedy of manners written  in verse. It premièred on 4 June 1666 at the Théâtre du Palais-Royal, Paris. It was performed by the King's Players. The play ridicules the hypocritical nature of French aristocratic society, but on a deeper level, it also suggests that all humans in one way or another possess similar character flaws. Interestingly, the play was somewhat of a box office flop at the time, but it now considered Molière's best known work.

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Also issued 21 September was a charming stamp focusing on The Marriage of Figaro by Pierre Beaumarchais. This stamp is the second stamp in this set engraved by Henry Cheffer. It was designed by Andrew Spitz.


The Marriage of Figaro was written in 1778 by Pierre Beaumarchais. Structured as a comedy in five acts, the play is the second in the Figaro trilogy. It was preceded by The Barber of Seville and followed by The Guilty Mother. The play featured another one of those classic love triangles. In this story we have a girl, a rich baron, and a barber (Figaro). The play premièred at the Théâtre Français on 27 April 1784. From its opening night it was a huge success. It continued to run for 68 consecutive performances, and it became the biggest box office hit of the 18th Century. Apparently the theatre was so crowded on opening night three people were crushed to death.

Until next time...


Saturday, 14 May 2016

France 1953 - French Theatre

Over the course of five months in 1953, France issued a stunning set of stamps celebrating French Literature and Theatre. The set is also a celebration of three highly talented French engravers. In this set we not only see the beauty of each engraver's subject, but the different interpretations of the art of engraving.

***

The fantastic creative adventure began on the 27 May with the giant, Gargantua. The stamp was designed and engraved by Henry Cheffer. 



Written in the 16th century by the talented author, François Rabelais, The Life of Gargantua and of Pantagruel, was a set of five novels, chronicling the adventures of two giants, Gargantua and his son Pantagruel. Those of you who are readers of my Decaris Crazy blog may recall that I did a post studying France's 1950 François Rabelais stamp, designed and engraved by Albert Decaris. If you  have not already read it or would like to take another look, click HERE 

***

On 8 June the second stamp in the series was issued. The focus of this stamp is the play Hermani by Victor Hugo. The stamp was designed and engraved by Robert Cami.


Hermani is a drama set in a fictitious version of the Spanish court of 1519. Romance and intrigue abound in this classic love triangle story.  Three men, all in love with the same woman, vie for her attentions. One can easily imagine the chaos that ensued. On the 25 February 1830, the play opened in Paris. The play is probably now best remembered for the fights and demonstrations that erupted on the night of its première. On  a positive note, the play inspired Verdi to create his opera, Ernani.

***

Issued on 21 September was a stunning stamp focusing on Moliere's The Misanthrope. The stamp was engraved by René Cottet. It was designed by Robert Cami. This collaboration resulted in a visually sumptuous stamp. Just look at the detail in the costume!


The Misanthrope or Cantankerous Lover was written in the 17th Century by Molière. The play was a comedy of manners written  in verse. It premièred on 4 June 1666 at the Théâtre du Palais-Royal, Paris. It was performed by the King's Players. The play ridicules the hypocritical nature of French aristocratic society, but on a deeper level, it also suggests that all humans in one way or another possess similar character flaws. Interestingly, the play was somewhat of a box office flop at the time, but it now considered Molière's best known work.

***

Also issued 21 September was a charming stamp focusing on The Marriage of Figaro by Pierre Beaumarchais. This stamp is the second stamp in this set engraved by Henry Cheffer. It was designed by Andrew Spitz.


The Marriage of Figaro was written in 1778 by Pierre Beaumarchais. Structured as a comedy in five acts, the play is the second in the Figaro trilogy. It was preceded by The Barber of Seville and followed by The Guilty Mother. The play featured another one of those classic love triangles. In this story we have a girl, a rich baron, and a barber (Figaro). The play premièred at the Théâtre Français on 27 April 1784. From its opening night it was a huge success. It continued to run for 68 consecutive performances, and it became the biggest box office hit of the 18th Century. Apparently the theatre was so crowded on opening night three people were crushed to death.

Until next time...

Stay Engraver Crazy!